Teh thinks that lyrics forge a genuine connection when it feels like someone is speaking them directly to you.
Recently, Wang was delighted to learn that her book is a finalist for the prestigious John Glassco Translation Prize.
The president of the Literary Translation Institute of Korea called it a “pivotal moment” after Han was named as this year’s winner.
On “Delulu Demon”, the hyper-energetic Toronto alt-pop artist channels “cute rage” in “Violently Kawaii”. (Photo by Felice Trinidad.)
Dai plays two roles—Ding and Policeman—in Leanna Brodie and Jovanni Sy’s play Salesman in China, which is part of the Stratford Festival.
“Vulindlela” became a national pop anthem, played especially at weddings and celebrations, after being released in 1997.
As part of TAIWANfest Toronto, Lewis will perform on the Concert Stage on August 24 at Harbourfront Centre.
Shihmin Szu—a.k.a. taboeh a ‘oebay tataysi’—hopes that his performance in Toronto elevates appreciation for SaySiyat ways of life.
Where do songs come from? For Lew, the title track of his new album, Destiny, emerged from his sleep.
Diabaté, a virtuoso kora player and a significant musical ambassador for the Mande people of West Africa, died on July 19.
Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.
