
Omorose Osagie combines live action with animation as she explores grief felt for strangers in “Lost Wax”
In her poetic short film, Osagie applies her cinematic talents to two Edo tragedies—lost girls and lost artwork.

In her poetic short film, Osagie applies her cinematic talents to two Edo tragedies—lost girls and lost artwork.

In the spring of 2022, Burtynsky and his team undertook extensive fieldwork across Central Anatolia and the Mediterranean region.

A Reel Asian International Film Festival jury described Joan Chen’s performance in Montreal, ma belle as “nothing short of a revelation”.

Have you ever stood under a full moon and felt not romance, but a profound and startling loneliness?

Before Beyoncé, before Cher, before Madonna, there was Googoosh.

As we move into the new year, we need more ruptures in mainstream thinking. It’s the cracks that let the light in.

Few Nigerian popular musicians have shown as much staying power as the man behind the #ElloBae and #WehDoneSir social media trends.

Toronto singer-songwriter Chinyi C likes to describe her music as “soothing, borderless folk-pop”.

In his most recent book, Teebi addresses how language obscures the degree of suffering inflicted on Palestinian people.

Lyrically, musically, and through a new official music video, “stars & snow” engulfs listeners with emotion.










Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.