SFU scholar Evan Freeman points out that attacks on cultural heritage and institutions are sometimes part of democratic backsliding.
An excerpt from Cho’s new book, Brotherhood is a Constant Possibility: Asian Masculinity in a World Made for Whiteness (Thornapple Press).
Thélyson Orélien says he finished a draft of his novel, C’était ça ou mourir, long before generative AI was commercially available.
“Timid Leaves” is a poem that uses leaves and birds as symbols of the fragility of life.
A lesser-known fact of Canadian history is that Métis people have routinely asserted their Indigeneity and rights through legal means.
“Vande Mataram” has its roots in a highly controversial novel, Anandmath, written by Bankim Chandra Chatterjee in 1882.
Volunteer Butterflyway Rangers work with neighbours, schools, businesses and municipalities to create habitat for butterflies.
By streaming Arfat Sheikh’s Saffron Kingdom, Watermelon Plus is providing a platform for Kashmiri stories told by Kashmiris.
The poem is marked by a strong contemporary consciousness, technological reflection, and an absurdist spirit.
If you care about climate, conservation or justice, support Indigenous voices, learn the history, and challenge systems that created harm.
Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.
