Despite their engagement with K-drama, African audiences can only ever seem to see themselves represented through a colonial gaze.
Love can offer a temporary reprieve from sorrow, yet this poem also underscores that our sensitivity to the world must not be lost.
While Halloween is a celebration of all things spooky, horror films in particular have seen a significant commercial boom in recent years.
The Society of We Are Canadians Too will present the Canadian premiere of Daughter of Nectar at 7 p.m. on Tuesday (Oct. 27) in Vancouver.
The first time that Kanika Samuels Wortley’s security system misidentified her, she was sitting at her patio having coffee
SFU scholar Evan Freeman points out that attacks on cultural heritage and institutions are sometimes part of democratic backsliding.
An excerpt from Cho’s new book, Brotherhood is a Constant Possibility: Asian Masculinity in a World Made for Whiteness (Thornapple Press).
Thélyson Orélien says he finished a draft of his novel, C’était ça ou mourir, long before generative AI was commercially available.
“Timid Leaves” is a poem that uses leaves and birds as symbols of the fragility of life.
A lesser-known fact of Canadian history is that Métis people have routinely asserted their Indigeneity and rights through legal means.
Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.
