A University of Waterloo doctoral researcher evaluates the portrayal of dementia in various films made in different Indian languages.
Fela, the self-proclaimed “Black President”, seems to be everywhere—like an omnipresent deity—nearly three decades after his death.
Budots was created as a sub-genre of electronic dance music; it was popularized by DJ Love, also known as Sherwin Calumpang Tuna.
The National COVID Memorial Wall in London was created to give people a chance to reflect on the impact of the pandemic.
They were Jan Mashiani and Len Taunyane (Tau), who appeared along with a white South African runner—B.W. Harris—in the Olympics marathon.
A Dalhousie University scholar looks back at Hage’s second novel, Cockroach, on the centenary of the death of Franz Kafka.
Sleep is the debut film from Korean director Jason Yu, a former assistant to the Oscar-winning director Bong Joon-ho (Parasite, 2019).
Comedian Jorelle Almeda wrote a screenplay about William Howard Taft, the first U.S civil governor of the Philippines.
Since the mid-2000s Miike has mostly produced chanbara—sword-fighting films—finding a home for his violent imagery in Japan’s feudal past.
Tlotlo Tsamaase’s debut novel, Womb City, interweaves the mythological and digital expanse of the culture of Botswana.
Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.
