To generate a scene, you must do for the machine what earlier novelists did for readers: translate objects, spaces, and moods into words.
The “AI disclosure penalty” reminds us that the consumption of art is not tied to purely aesthetic considerations.
Replica not only touches on generational differences and feminist dilemmas but also reveals humanity’s self-exploration in the digital age.
Author Mia Ballard denied using AI to write the novel, but said a contractor hired to work on an earlier self-published version used AI tools.
The poem juxtaposes elements such as AI, tariffs, and oil prices with the ephemeral presence of the cherry blossom.
Thanks to algorithmic systems, AI narratives that tap into deep-seated fears and anxieties travel farther and faster than ever before.
It has become increasingly difficult to tell whether something was written by a person or AI.
Researchers within the Creative Labour Critical Futures project are tracking media responses to AI use across the film industry.
The CRTC’s existing approach to defining CanCon relies on the citizenship of key creative personnel.
A PhD candidate at the University of Toronto reviews what happened after Iruda (or “Lee Luda”) was launched as an AI chatbot.
Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.
