
Googoosh, the “Voice of Iran”, has gone quiet—and that’s her point
Before Beyoncé, before Cher, before Madonna, there was Googoosh.

Before Beyoncé, before Cher, before Madonna, there was Googoosh.

Netflix’s animated KPop Demon Hunters follows adventures of a fictional Kpop girl group (Huntrix) whose members hunt demons by night.

Three University of Toronto scholars ask whether Canadian producers and distributors can leverage the Heated Rivalry effect.

Qian Liu, the author of a book on this subject, explains why the children of immigrants often feel such pressure to succeed.

Two upcoming contemporary dance pieces in Toronto will explore Indigenous connections to land, body, and space.

Aboriginal artist and broadcaster Destiny Deacon embraced “Blak” as a term of Indigenous empowerment long before the emergence of AI.

Recent profiles in The Atlantic and The New York Times have elevated the 27-year-old Fuentes into practically a household name.

Few Nigerian popular musicians have shown as much staying power as the man behind the #ElloBae and #WehDoneSir social media trends.

Speaking rapidly into a microphone in Uganda, they comment loudly and continuously, often drowning out the sound of the film itself.

Like many enslaved Africans, Apongo had two names. Neither of them completely unlocks his back story.










Arts for Canadians Tomorrow Society created Toronto Spark to foster greater appreciation for underrepresented artistic communities. A rising tide of understanding lifts all of us.
Arts for Canadians Tomorrow Society is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered on this land, and commit to work with and be respectful to the Indigenous peoples whose arts and stories inspire us to bring communities together.